![]() Enables color separation for printing – Pantone colors can be directly translated into ink mixing formulas.Simplifies approval processes – No back and forth over color discrepancies.Supports branding and style guides – Makes it easy to adhere to official brand color specifications.Facilitates collaboration – Entire teams can work from the same precise color reference points.Consistent and accurate color reproduction – Pantone colors eliminate guesswork and manual color matching.Here are some of the key benefits of using Pantone colors in Illustrator: Why Use Pantone Colors in Illustrator?Īdobe Illustrator is a vector graphics editor commonly used for design work. This makes them a go-to choice for designers and companies who want to maintain consistent branding and color schemes. Using Pantone colors ensures colors are displayed exactly as intended across different applications, devices, and physical materials. No matter what printer or fabric a design is produced with, the Pantone colors will be consistent, making them ideal for projects that need precise color reproduction across different vendors and materials. For example, Pantone 123C is a bright yellow and Pantone 7565C is a medium blue. The Pantone Matching System includes over 1,700 specific colors that are consistent across different materials and mediums.Įach Pantone color has a specific name and number code. ![]() Pantone is a standardized color matching system used primarily in the design, printing, and manufacturing industries. What are Pantone Colors?īefore we dive into how to find Pantone colors in Illustrator, let’s quickly cover what exactly Pantone colors are. Using Pantone colors is a great way to ensure color accuracy, but how do you go about finding the specific Pantone color match in Adobe Illustrator? In this comprehensive guide, we’ll walk through the steps and tools you need to nail the perfect Pantone color every time in Illustrator. Test dryer temperatures and wash test printed product before and during a production run.Selecting the right colors for your design projects can be a challenging task. To achieve a softer hand and faster production speeds, print underbase ink through finer mesh counts (230 to 305 t/in or 90 to 120 t/cm mesh). Use an underbase print when printing 7500 Series inks onto dark fabrics. Colors may appear metameric (not match well) when viewed under different types of lighting.Īdding too much reducer or other additives to the 7500 Series inks may cause curing/ fusing or increased dye migration problems. Colors will reproduce best on white or light colored fabrics. Using colors other than the specified primaries will produce inaccurate matching results.Ĭolors produced using the 7500 Series Pantone® Color System will vary in opacity. In order to achieve the best color matching results using the 7500 Series Pantone® Color System, the specified system primaries must be used. Final fusing or curing should occur in the dryer. Total fusing of any flashed color may cause inter-coat adhesion problems with the inks printed on top of the flashed ink. The ink should be just dry to the touch, with no lift-off, but not totally fused. When you spot dry, you are only partially fusing or gelling the surface of the ink. In some cases, you may have to lower the heat of the spot cure unit because too much heat may actually make the ink tacky. ![]() Dwell time is dependent on the spot dryer used. The 7500 Series inks will spot dry, with a very low after flash tack. Well suited for fine detail and halftone printing using finer mesh counts. UltraMix® 7500 Series Pantone® Color System consists of 19 non-phthalate, high performance colors, formulated for ultra high speed wet-on-wet automatic printing.Ĭreate special or standard colors by using International Coatings’ UltraMix®, Pantone® color matching software, either online or on the desktop version.
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